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Vol
12 Number 2- January 15, 2008
In
this Issue:
- "Welcome"
- Dan
Case, editor
- Feature
"Delivering the Goods" by Kathleen
Ewing
-
59 Paying Markets - High, Medium, and Low
- Feature
"The Nuts and Bolts of Collaboration" by Jackie
King
Want to contribute to this newsletter? We are a paying market.
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Welcome
Have you checked out our new article
database? We added more articles since last week, now nearly
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Find just the right information you need to make a few more bucks
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information.
Be sure to watch for even more features in the next few weeks.
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Dan
Case, editor
editor@writingfordollars.com
(put WFD in the subject line)
Delivering
the Goods
by Kathleen
Ewing
Finally! After all that market research and querying you've done,
an editor has requested that you send your manuscript. Don't go
out and spend the money just yet. And don't celebrate, either. You've
merely dangled the hook. You haven't landed the fish. There are
still at least a half dozen ways you can blow it.
1. E-mail: You forget to convert your beautifully
formatted document to plain text. When it arrives on the editor's
desktop, it looks as if a committee of gremlins has edited it, with
ampersands, tiny rectangles and other strange symbols sprinkled
throughout. Your editor's first reaction is, "Yuck!"
Solution: After you convert your document
to plain text format, e-mail the piece to yourself to get a better
indication of how it will appear electronically. True, it may not
look the same on the editor's computer system. But this beats just
throwing it out there in whatever format you created it.
2. Spelling: You are an excellent typist and you
won the county spelling bee when you were ten. Confident of your
ability, you send your manuscript on its way without that one last
spell check or proofread. You look at it the next day and discover
three grammatical errors in the first page.
Solution: The very last thing you do before saving your
file should be a computer spell check to catch those errors your
eyes refuse to see. Follow that with a final proofread-out loud.
You are so familiar with what you think you have written you tend
to overlook what is actually in print. If you can't stand the sound
of your own voice, go to www.readplease.com
and download the free software which will allow your computer to
read the document aloud to you.
3. Enclosures in snail mail: In your cover letter,
you tell the editor you are enclosing photos or a CD, and then you
forget to do it.
Solution: Below your signature on the cover letter, type
"Encl:" and a list of all the items you are including
with your submission-article; sidebars; photographs with captions;
a CD with your article in electronic format. Place all your enclosures
on top of your cover letter as soon as you print it. Check off those
items as you place them in the envelope.
4. Electronics: I recently lost a sale because
I forgot to double check a CD to be sure the photos I thought I
had burned onto it were actually there.
Solution: Always check those CD's to make sure your content
arrived. Open each item to be certain it is intact and usable.
5. Critical information: Does your article have
a title? Your byline? A brief mini- bio? All your contact information
clearly printed at the top of your manuscript? Provide editors every
possible way to contact you: address, P.O. box number, home phone,
cell phone, fax and work phone. Editors can't buy when they can't
contact you.
Solution: As the final step, go back through your piece
and make sure all those crucial peripheral items are there.
6. Snail mail: You forgot to identify the envelope
and now your piece is lying in the darkness in a pile of unsolicited
submissions cuddling up to a warren of dust bunnies.
Solution: Go to Vista Print (www.vistaprint.com)
and design yourself a self-inking stamp that says "Requested
Material" in a simple font as large as possible. Request red
ink. Stamp your envelope one time about three-quarters of an inch
above the editor's name. Pre-stamp your entire stack of submission
envelopes. That eliminates the problem and obligates you to fill
those envelopes with manuscripts.
The ultimate solution to nagging mistakes that can cost you a sale
is to create a simple checklist of all the processes you must complete
before you send in your manuscript. At the end of your list, leave
a blank space where you can write in the reward you will buy yourself
when you receive that juicy paycheck.
© Copyright 2008, Kathleen
Ewing
Kathleen Ewing is a freelance writer who lives in the central mountains
of Arizona where she enjoys hiking, horseback riding, four wheeling
and target shooting. Among her more recent credits are articles
in Art Calendar Magazine, American Falconry, Funds for Writers
and Hobby Farms Magazine. You can visit her site at www.nothingbinding.com/writer/kathleen-ewing.html
59 Paying Markets
Updated or added in our database since January 2, 2008
High - Over
$500
-
AARP The Magazine
- Guidelines:
Pays on acceptance. Seeks nonfiction, columns/departments. Subjects:
Finance, health, food, travel, consumerism, general interest,
profiles or first-person accounts.
-
Alaska - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Natural history, human history,
adventure, sportsman.
-
ANALOG Science Fiction
- Guidelines:
Pays on acceptance. Seeks nonfiction, fiction. Subjects:
Science Fiction.
-
Coastal Living -
Guidelines:
Pays on acceptance. Seeks nonfiction, photos/artwork. Subjects:
For those who live or vacation on our nation's coast.
-
Contingencies -
Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Insurance, risk management, actuaries' involvement in public
policy.
-
Diablo - Guidelines:
Pays on acceptance. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Travel, food, homestyle, and
profiles in Contra Costa and parts of Alameda, Oakland and Berkley.
-
Emmy -
Guidelines:
Pays on publication. Seeks nonfiction, columns/departments. Subjects:
Contemporary issues and trends in broadcast and cable television,
programming, VIPs, new technology .
-
Family Business
- Guidelines:
Pays on acceptance. Seeks nonfiction, photos/artwork. Subjects:
Family-owned businesses, estate planning, sibling rivalries,
cousin jealousies.
-
Golf Tips - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Golf Instruction.
-
Good Old Boat - Guidelines:
Pays on publication. Accepts simultaneous submissions.
Seeks nonfiction, photos/artwork. Subjects: Boat sailing.
-
Granta - Guidelines:
Pays on publication. Seeks nonfiction, fiction, photos/artwork. Subjects:
Essays, photo essays, travel stories, short stories.
-
High Country News - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Rocky Mountain West, the Great
Basin, and Pacific Northwest environment, rural communities.
-
HONOLULU - Guidelines:
Pays on acceptance. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Hawaii related, personality profiles,
historical events, sports, politics and lifestyle trends.
-
Ms. Magazine - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Politics, social commentary,
popular culture, law, education, art and the environment..
-
Native Peoples -
Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Native peoples of North America.
-
Outdoor Canada Magazine
- Guidelines:
Pays on publication. Seeks nonfiction, fillers, photos/artwork. Subjects:
Outdoor issues in Canada.
-
Preservation
- Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Preservation of historic buildings in the US..
-
Runner's World -
Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Distance running, training, health
and fitness, nutrition, motivation, injury prevention, races.
-
Sail - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Sailing.
-
Scouting Magazine
- Guidelines:
Pays on acceptance. Accepts simultaneous submissions.
Seeks nonfiction, columns/departments, fillers, photos/artwork. Subjects:
Scouting activities for adult leaders of the Cub Scouts, Boy
Scouts and Venturing.
-
Texas Highways
- Guidelines:
Pays on acceptance. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Texas travel, scenery, history,
small towns, and out-of-the-way places.
Medium -
$125 - $500
-
ADDitude
- Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Attention-Deficit Disorder .
-
Brain, Child - Guidelines:
Pays on publication. Seeks nonfiction, fiction, photos/artwork. Subjects:
Motherhood .
-
The Cattleman
- Guidelines:
Pays on acceptance. Seeks nonfiction, fiction, photos/artwork. Subjects:
Cattle range/pasture, property rights, animal health, water,
new innovations and marketing..
-
Ceramics Monthly
- Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Ceramic art and craft.
-
Christianity
Today - Guidelines:
Pays on acceptance. Seeks nonfiction, columns/departments. Subjects:
Christianity.
-
Girl's Life - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Of interest to girls 10-15.
-
InSite
- Guidelines:
Pays on publication. Seeks nonfiction, fillers, photos/artwork. Subjects:
Christian, camping, heath, safety, fund raising.
-
Italian
America - Guidelines:
Pays on publication. Accepts simultaneous submissions.
Seeks nonfiction. Subjects: Italian-American culture.
-
Kitplanes - Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Homebuilt aircraft.
-
Law and Order -
Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Law enforcement.
-
Monitoring Times
- Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Amatuer radio.
-
Mushing - Guidelines:
Pays on publication. Seeks nonfiction, fiction, columns/departments,
fillers, photos/artwork. Subjects: Dog-powered sports.
-
Naval History
- Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Naval history.
-
New Hampshire Magazine
- Guidelines:
Pays on publication. Accepts simultaneous submissions.
Seeks nonfiction, photos/artwork. Subjects: New Hampshire
lifestyle, economic development, commerce, and diverse culture.
-
Paint Horse Journal
- Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Paint horse owners, breeders and trainers.
-
Parents Press -
Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Bay-area parenting.
-
Persimmon
Hill - Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Old West.
-
The Plain Truth
- Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Bible solutions to real problems .
-
Presbyterians Today
- Guidelines:
Pays on acceptance. Seeks nonfiction, photos/artwork. Subjects:
Presbyterian Church.
-
Proceedings
- Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Naval operations, Navy, Marine Corps, Coast Guard issues.
-
Rock & Gem - Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Rockhounding field trips, how-to lapidiary projects, minerals,
fossils, gold prospecting, mining.
-
Science of Mind
- Guidelines:
Pays on publication. Accepts simultaneous submissions.
Seeks nonfiction, columns/departments, fillers, photos/artwork. Subjects:
Science of mind, Bible, scriptures, spiritual.
-
St. Anthony
Messenger - Guidelines:
Pays on acceptance. Seeks nonfiction, fiction, fillers. Subjects:
Catholic; Church and religion; marriage, family and parenting;
social; inspiration.
-
T'AI CHI - Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
martial arts, T'ai Chi Ch'uan, qigong, Chinese , acupuncture,
herbs, acupressure, tuina, daoyin.
-
Today's Christian
Woman - Guidelines:
Pays on acceptance. Seeks nonfiction, columns/departments. Subjects:
Spiritual living, family, friendship, faith, marriage, single
life, self, work, health.
Low - Less
than $125
-
Ancient
Paths - Guidelines:
Pays on publication. Seeks nonfiction, fiction. Subjects:
Subtle Christian.
-
Brazzil - Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Brazzilian Culture.
-
The Christian Century
- Guidelines:
Pays on publication. Seeks nonfiction, fiction, photos/artwork. Subjects:
Progressive protestant clergy, people, and lay.
-
The Comics Journal - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments. Subjects:
Industry news, interviews, reviews of current comic book works.
-
Country Folk -
Guidelines:
Pays on publication. Seeks nonfiction, fiction, fillers,
photos/artwork. Subjects: History and true stories of the
Ozarks.
-
County Kids - Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
photos/artwork. Subjects: Connecticut parent tabloid.
-
CQ Amateur Radio
- Guidelines:
Pays on publication. Seeks nonfiction, photos/artwork. Subjects:
Amateur, ham radio.
-
Escapees Magazine - Guidelines:
Pays on publication. Seeks nonfiction, fiction, photos/artwork. Subjects:
Escapee RV members, RVing.
-
On Mission - Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Christian missions.
-
Open Spaces - Guidelines:
Pays on publication. Accepts simultaneous submissions.
Seeks nonfiction, fiction, columns/departments, fillers, photos/artwork. Subjects:
General interest.
-
Review for Religious
- Guidelines:
Pays on publication. Seeks nonfiction. Subjects:
Catholic, church, theological, spiritual, canonical.
-
Rural Heritage -
Guidelines:
Pays on publication. Seeks nonfiction, columns/departments,
fillers, photos/artwork. Subjects: Farming and logging
with draft animals, horses, mules, and oxen.
-
Skydiving - Guidelines:
Pays on publication. Accepts simultaneous submissions.
Seeks nonfiction, fillers, photos/artwork. Subjects: Skydiving.
The
Nuts and Bolts of Collaboration
by Jackie
King
Writing with friends can be wonderful! It can also be hazardous
to your sanity. Collaboration most resembles marriage. If passion
and joy and excitement blind you from clear vision, you’re
apt to run into problems when you enter into a union without careful
thought. Unnecessary grief can be avoided by planning with your
head instead of with your heart. Before jumping into (a writing)
bed with anyone, especially your best friend, make sure you have
that all important document: a carefully thought out Contract
Between Writers
Beginning
Collaboration starts with an idea. Maybe you’re at a meeting,
or at the grocery store, or putting on your makeup and suddenly
you know what would make a great anthology. The subject could be
quilts, or a specific genre, or a season of the year. Topics, of
course, are endless. Or perhaps you want to join another writer
and create a nonfiction book, a novel or another writing project.
After all, two heads (or three or four) are better than one. But
there are many pitfalls, even for the most amiable people.
Make careful plans before starting your collaborative effort. Remember
that the word itself means that others will be involved in decisions
regarding “your baby.” Sometimes it’s hard to
take direction when it comes to the fruit of your imagination. But
solutions to problems can be dealt with before they arise if you
have a written contract that is agreed upon and signed in advance
by all involved. Consider the following four things before choosing
(or agreeing to join) collaborative partners:
- The personality and ability of each writer involved in this
project.
- Their experience.
- Each person’s special skills and possible contributions.
- Geographic areas involved. Sometimes face to face meetings
are necessary and even if you’re doing the collaboration
mostly by email, every participant must be willing to drive to
a central meeting spot when required.
Collaboration Is a Business Venture
Jointly agree upon or appoint a lead writer. Often this person
is the writer who came up with the original idea. If the project
is your idea and you want this responsibility, tell the other writers
that you will be in charge. The lead writer will:
- Draft the writers’ Contract or Agreement before any work
has started.
- Decide on deadlines, ie: When a synopsis, draft chapters and
final draft of the project are due.
- Make the final decision in any dispute. (You must be comfortable
with the fact that this person can veto your special idea.
Writing the Contract
It's always good to nclude these specific points when writing the
contract.
- Give the Lead Writer’s name, responsibilities and the
extent of this person’s authority.
- Appoint or agree upon one member to track all queries, acceptances
of queries, partials and/or full manuscripts that are sent. That
person will email updated copies to fellow writers as needed.
Using a spreadsheet is recommended, but a notebook will also work.
- State how many queries each member is required to send.
- Address what each writer is expected to do in regard to promotion
after the project is published. For example: Each writer is responsible
for setting up three book signings and/or speaking engagements
where books may be sold, during the first six months.
- Give required progress for each writer. Specify how many pages
are due and when they are due.
- The date the finished manuscripts are due.
- An agreement that everyone will edit each other’s copy,
with the Lead Writer having final editorial control (or not).
- Mention: If the project isn’t accepted by a New York
publisher, does the project go to a small publisher, then to a
print-on-demand company or finally self-publish?
- Agree on who will get quotes for the cover of book. In our
group we each acquired one quote.
Discuss the Contract Before Signing
Be candid when discussing the contract before signing. Bring up
any questions or possible problems as early as possible and discuss
them thoroughly. After agreeing upon the wording for a contract
the final version should be mailed to each person to consider for
at least one day. Writers should read the proposed contract carefully
before signing, to make sure each member really intends to follow
each point promised.
If you don’t like something in the contract, say so. Ask
that a certain phrase or wording be changed and explain why. Others
may agree with you. (Don’t sign with fingers crossed and then
wait until later and try to do as you please.)
Final Points to Consider
- Be a peace-maker. You’re not going to get your way about
everything.
- Guard against factions. It’s in everyone’s best
interest to keep things congenial, above board and honest.
- Don’t wear your feelings on your sleeve. If no one agrees
with your opinion on a particular idea, let it go. You can write
a project on your own later and do as you please.
- Turn in your copy on time.
- Meet on the agreed upon dates for all logistical discussions
at a specified place.
- Stay within the agreed upon word-length. If you can’t,
ask the Lead Writer to read your story and cut it to fit.
- MAKE THE PROJECT FUN!
Don’t let the above tips make you draw away or hesitate to
collaborate. Working with other writers can be one of the most rewarding
experiences in your life. Plan your project wisely and carefully—then
write together and have a party creating your joint project.
© Copyright 2008, Jackie
King
Jackie King has collaborated with other writers on two Foxy Hens
books. The latest, Foxy
Statehood Hens and Murder Most Fowl was published by Deadly
Niche Press in 2007. The first anthology Chik~Lit
for Foxy Hens was published by Diva in 2006. Jackie King’s
novella Flirting at Fifty won second place in the 2006
More Than Magic contest.
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