| Writing for DOLLARS!
Vol 11 Number 10 - June 12, 2007 |
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In this Issue:
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Welcome Bigfoot update... We have the book proposal in and are awaiting a response. Hopefully we will get a contract to write the book of Bigfoot encounters from a NY Publisher. I'm pretty confident that the contract will come through since I'm writing the coattails of Charles W. Sasser who has over 60 books published! (Read Magic Steps to Writing Success to learn how to be a write like Charles.) Bigfoot is a very interesting subject. The name "Bigfoot" was first coined in the 1950's when some tracks were found. Since then, there have been hundreds of casts make of tracks... there has even been casts made of legs parts and even buttocks where a Bigfoot had sat. Can you imagine what Bigfoot would have been called if the first casts were made of buttocks? Sasquatch, otherwise known as Bigbutt... :-) Here are the top-selling writing books at AWOCBooks.com - FREE SHIPPING on selected books! ($2.95 value)
Dan Case, editor
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| Create
Your Own Editorial Calendar by Shaunna Privratsky Editorial calendars can be a writer's best tool. They are like cheat sheets because they list themes and subjects for the upcoming year. If you follow the calendar and submit timely queries, you're bound to attract the attention of grateful editors. Let's take it to the next level. How about creating your own editorial calendar? It can keep you on track for submissions, give your creativity a boost in those down times and encourage you to stockpile work if you can't write as much as you'd like at certain times of the year. A great way to compile a calendar is to research important dates and events approximately six months in advance. Typically, magazine editors like to work at least that far ahead, so articles submitted during this time would be right on track with their needs. Here is a sample calendar to get you started. You can personalize it and add your own ideas as the year progresses. January
February
March
April
May
June
July
August
September
October
November
December
Although the year is at an end, continue looking ahead and discovering new ideas for your writing. By creating your own editorial calendar, you are mapping out a successful plan to keep your writing career flourishing. Just think, next year is going to be even better! © Copyright 2007, Shaunna Privratsky |
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20 Paying Markets Updated or added in our database since June 1, 2007 High - Over $500
Medium - $125 - $500
Low - Less than $125
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| Success
Made Simple: An Interview With Wendy Burt by Jennifer Brown Banks Wendy Burt is truly a "Jill of all trades." A former newspaper editor, she has now carved a very successful career as a full-time freelance writer and author. Wendy writes the advice column "Ask Wendy" for Writers on the Rise. She is the co-author of Oh, Solo, Mia. WFD: Can you describe a typical writing day? Actually, a typical writing day is quite varied – in a good way. I drop off my toddler at a home daycare down the street, stop at Starbucks and then get back home around 9 a.m. to start answering emails. Emails are a necessary evil of being a writer/editor, because while 50% of your time is spent writing, the other half is spent managing. By managing I mean interviewing, coordinating other writers, doing follow-ups with clients, compiling pieces of edit, marketing your work, invoicing, etc. Once the actual writing kicks in, a “typical” day might include writing greeting card copy for a client, working on press releases, editing articles, working with clients on ad copy, writing articles and doing a phone interview or two. I usually take a 15-minute break for lunch and watch CNN to get the highlights of the day’s news. At 3:30 p.m. I leave to pick up my daughter, and I usually do another two hours of work after dinner. WFD: Your BIO states that you doubled your income when transitioning from newspaper editor to full time freelancer. While other artists are "starving" you seem to be thriving. What's your secret? It’s cliché, but I love what I do now, so it’s natural to make more money because it doesn’t feel like work so I stay motivated. Also, I love being in control of how much money I make. What’s your incentive to stay up till midnight if you’re on salary working for somebody else? Also, I do not embrace the stereotype of the poor, starving writer. It’s a lame excuse for writers to feel ok about not valuing themselves and making money. There is absolutely no shame in making good – or great – money for creativity. Read The War of Art (not to be confused with The Art of War) to get a good get-off-your-butt lesson on what it takes to be a professional (read paid) writer. Financially successful writers (think mass market authors) are often called sell-outs. I think that’s BS. I can be a great writer and make money. We shouldn’t be made to feel like we have to choose! WFD: From your experiences, what's the most lucrative field of writing? Well, that depends. In terms of how much money you can make per hour, greeting cards, bumper stickers, and the like can be incredible. I once made $225 for about 5 minutes of brainstorming on one-liners. I made $150 for coming up with a name for a new card line and $100 just last week for emailing someone a suggestion for a name for his product. The down side is that greeting card work can be sporadic if you don’t work for a company as a contractor. You can certainly have some hits selling one-time ideas, (and it’s still good money), but you might sell one or two per month. The best consistent money is in copy writing (ads, Web copy, brochures), fillers and articles. Personal essays can pay well but it’s hard to find markets. I’ve also made money selling short stories, poems and nursery rhymes, but again, not a lot of paying markets. WFD: What are four major strengths that every good writer must possess?
WFD: I'm a big fan of the book Oh, Solo Mia. How did it come about? Thanks! I was teaching a night class in Denver called “Breaking Into Freelance Writing.” My (now) co-author, Erin Kindberg, took the class and we became great friends immediately. One day I said, “We should write a book together.” She laughed. I said, “I’m serious!” … and so we did! We pitched the idea to about 30 agents, one bit and she sold it to McGraw-Hill. A year later we sold them a second idea and our book, Work It, Girl! 101 Tips for the Hip Working Chick was published in 2003. WFD: What advice can you give to writers wanting to become full-time freelancers? Don’t rely on your income when you first start or you’ll quit early. You need to have another job, a spouse who can support you for a while or several months of savings to live off until you build your clients. Also, don’t keep shooting for one-off deals – like getting an article published in a big magazine. They’re very competitive so only dedicate a small percentage of your time to getting in there. Instead, look for the smaller, most consistent-paying gigs, like local and regional pubs, blogs or assignments for clients who need content for Web sites and newsletters. I’d rather know I’m going to make $200/week than get that big, one-time clip that paid $1,000… but will probably not buy from me again for years. © Copyright 2007, Jennifer Brown Banks Jennifer
Brown Banks Writer/Author/Poet/Consultant |
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